The JCE JAZZ DANCE PROJECT
APRIL 2019
DATES
Saturday, April 27, 8:00
Sunday, April 28, 4:00 – a talkback with the choreographers follows the performance
LOCATION
Salvatore Capezio Theatre at Peridance
126 E. 13th Street
New York, New York 10003
www.peridance.com
“Doin’ My Jazz” choreographed by Barbara Angeline. Photo: Jan La Salle
Artistic Directors
Merete Muenter
Merete Muenter is a choreographer and director, as well as the Co-Founder and Co-Artistic Director of Jazz Choreography Enterprises. Choreography: Off-Broadway –FIDDLER ON THE ROOF – IN YIDDISH (Assistant Choreographer – Director, Joel Grey), AMERIKE THE GOLDEN LAND (The National Yiddish Theater - Folksbiene), THE GOLDEN BRIDE (Chita Rivera Award Nomination / The National Yiddish Theater - Folksbiene), SOUTH PACIFIC and MAN OF LA MANCHA (Plaza Theatricals), THE KING OF SECOND AVENUE (New Repertory Theater). Director / Choreographer: FIDDLER ON THE ROOF – IN YIDDISH – (Associate Director, Off-Broadway / New World Stages – Director, Joel Grey), THE BRIDGES OF MADISON COUNTY, (American Theater Group), CHICAGO, TOMMY, CHITTY CHITTY BANG BANG,
(Woodstock Playhouse), THEY WALK AMONG US (MITF / Award - Best Choreography), WINESDAY – (Associate Director / Movement Coordinator – Off-Broadway). Short Film: THROUGH THE AGES (Director / Choreographer / Producer) Multiple Film Festival Awards. Originally from Buffalo, New York. SUNY Geneseo Graduate.
Danielle Diniz
Danielle is the Co Artistic Director of Jazz Choreography Enterprises and has choreographed for the Ailey BFA program, Jacob's Pillow, New York Dance Project, Ballet Hartford, Central Utah Ballet, Stars of American Ballet, Earl Mosley's Diversity of Dance, St. Paul's ballet program, Columbia Ballet Collaborative and the Jamaica Center for Arts and Learning, among others. She was also honored to be Artist in Residence at Tribeca BMCC via CUNY Dance Initiative last year. She choreographed the musicals ‘My Way’ and ‘On the Air’, made her Off-Broadway choreographic debut at the AMT Theatre with 'An Unbalanced Mind,' presented work at the McCallum Theatre/Palm Desert Choreography Festival and the New York Theatre Barn Choreography Lab at BAC and was awarded a grant from NYFA. She choreographs musicals for AMDA and has served as Associate Choreographer for Lorin Latarro. She enjoys teaching at Steps on Broadway, Peridance, Mark Morris and Manhattan Youth Ballet and has a B.A. from Cornell University.
Featured Choreographers
What Inspired Our Choreographers?
Jeff Davis
I originally created this piece with a Fosse-style esthetic in mind. It was for a show I wrote about a group of French tourists who while renting an upstairs apartment decide to crash the family Christmas party. When I think about influence, though, I am reminded of one of my favorite numbers, Why Am I So Gone About That Gal?, the magic jazz dance created by Gene Kelly, performed by Kelly himself and Mitzi Gaynor in “Les Girls” (MGM,1957). Music by Cole Porter.
Danielle Diniz
Jazz will always have my heart, but I do have to say, by attending the ballet more, it’s widened the vocabulary I use. In every movement and passage I still try to infuse with style and a Gene Kelly-like flow, but many of the shapes of the jumps and turns I’ve started to incorporate have roots in pieces done by friends I enjoy watching with a ballet base. Michael Kidd, in his casting of “Seven Brides for Seven Brothers” even used New York City Ballet principal dancers. I’m inspired by the old school athleticism and classic flair the Golden Age musicals specialized in, but want to introduce forms seen outside of the pure jazz genre when conceiving something new. I like to conjure my pieces and flesh out my ideas by myself to ensure that it is primarily my own vision and neither a copy nor emulation of previous work. Undoubtedly however, the choreographers I admire most, Jerome Robbins and Gene Kelly, make their presence known in my final product. Yes, they are two of the most popular names in dance history, but that’s for a reason; it would be a shame and disservice not to draw from their brilliance.
Danielle is using music from the Barn Dance in “Seven Brides for Seven Brothers” for her piece, “Six Gals, for Themselves.”
Merete Muenter
“I have always been intrigued by the lyrics to the Beatles song, Eleanor Rigby. Eleanor is such a curious figure. The music has such a rhythm to it, like a heartbeat, or a ticking clock indicating the time passing by in her life. I’ve been wanting to do something to this music for quite some time because it has such a strong storyline behind it. In my dance, I want to explore what happened to Eleanor to cause her loneliness, who tried to help her, and then indicate when and how she finally finds her peace.”
Paul A. Brown
I’m paying tribute to all the fantastic women who’ve been my main dance teachers throughout my career: Anna Czajun, Pattie Obey, Nan Giordano, and my first teacher during college at WKU, Beverly Veenker, just to name a few. A special nod also goes to Sherry Zunker, who used this music as a girl’s scholarship piece back at Gus Giordano’s Dance School… and where the idea came (back) from when I started getting only women responding to my dancer search. The title itself is a direct nod to US Representative Maxine Waters, taken from her now famous response, “Reclaiming My Time,” during a House hearing when the respondent was dawdling and wasting her allotted time. I also am using this piece to show my support for women everywhere as they march and fight for their own rights! I believe with today’s political climate, this is the least I could do!
All of JCE’s programs are made possible in part by support from our sponsor, Salon Ishi.